<\/p>\n\n\n\n
The central figure of this program is composer Benedictus \u00e0 Sancto Josepho (1643-1716) who was associated with the Carmelite monastery in Boxmeer. Intrigued by this figure, who worked just around the corner from their hometown, Judith and Tineke Steenbrink set out to investigate. This is how they discovered the irresistible quality of his music and the surprisingly rich musical culture of which he was a part. This resulted in the beautiful new album \u2018Brabant 1653\u2019.<\/p>\n\n\n\n
Soloists:<\/strong> \u201cHolland Baroque brings the solo and polyphonic songs to life with vibrancy and flexibility.\u201d<\/em>\u00a0\u2605\u2605\u2605\u2605\u2606 (Volkskrant)<\/em><\/p>\n<\/blockquote>\n\n\n\n In this program you will hear the music sung by a choir as it might have sounded in the convents of the Clarissen te Megen and the sisters of Maria Refugie in Uden.<\/p>\n\n\n\n Tineke Steenbrink: \u201cMapping your own musical landscape is incredibly exciting. Judith and I grew up in Oeffelt, near Boxmeer. It is often mistakenly thought that the Netherlands in the 17th century, with the work of Sweelinck as the great exception, was a musical morass. We are touched by the individuality and expressiveness of this repertoire.\u201d<\/p>\n\n\n\n Judith Steenbrink: \u201cIn the 1980s, musicologists including Frans Jespers, Frits Noske, and Rudolf Rasch contributed to the documentation of musical life in the Netherlands. We think it\u2019s important to bring this music to life again. Brabant 1653 is an enrichment of the musical canon of our country.\u201d<\/p>\n\n\n\n
Camille All\u00e9rat \u2013 soprano
Reginald Mobley \u2013 countertenor
Mirko Ludwig \u2013 tenor
Dominik W\u00f6rner \u2013 bariton<\/p>\n\n\n\n\n