{"id":5436,"date":"2021-08-17T07:49:58","date_gmt":"2021-08-17T07:49:58","guid":{"rendered":"https:\/\/www.hollandbaroque.com\/concerten\/tears\/"},"modified":"2021-09-02T08:45:43","modified_gmt":"2021-09-02T08:45:43","slug":"tears","status":"publish","type":"concert","link":"https:\/\/www.hollandbaroque.com\/en\/concerts\/tears\/","title":{"rendered":"Tears"},"content":{"rendered":"\n

1707: two opera titans meet each other in Venice. Among the audience at the premi\u00e8re night of Alessandro Scarlatti\u2019s hit-opera Mitridate eupatore was a young, then-unknown but extremely ambitious German: Georg Friedrich H\u00e4ndel.<\/h3>\n\n\n\n


The sumptuous composition must have had a big impact, because H\u00e4ndel continued the genre of opera seria in his new hometown Londen.<\/p>\n\n\n\n

Holland Baroque chooses a vocal work of both composers: H\u00e4ndel\u2019s famous Salve Regina and the moving cantata L\u2019Arianna by Scarlatti.
For instrumental counterbalance, they will play concerti grossi by Locatelli and Scarlatti, the focal composer in this concert.<\/p>\n\n\n\n

Holland Baroque enjoys working with inspiring guests. This evening two young artists will fulfill this role: Spanish soprano Eugenia Boix and Canadian violinist Aisslinn Nosky.<\/p>\n\n\n\n

Program<\/strong>
A. Scarlatti – Concerto grosso in f<\/em>
G.F. H\u00e4ndel – Salve Regina<\/em>
W.F. Bach – S<\/em>infonia ‘Dissonant’ in F<\/em>
A. Scarlatti – E<\/em>bra d’amor fuggia<\/em>
P.A. Locatelli – Il pianto d’ Arianna<\/em><\/p>\n\n\n\n

Tears<\/td>2015-09-24 20:15:00<\/td>Appassionata<\/td>Leeuwarden<\/td><\/tr>
Tears<\/td>2015-11-05 20:15:00<\/td>Stadsgehoorzaal<\/td>Leiden<\/td><\/tr>
Tears<\/td>2015-11-06 20:00:00<\/td>Concertgebouw<\/td>Brugge<\/td><\/tr>
Tears<\/td>2015-11-07 15:00:00<\/td>Maartenskerk<\/td>Doorn<\/td><\/tr>
Tears<\/td>2015-11-07 20:15:00<\/td>Bartholomeuskerk<\/td>Beek<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1707: two opera titans meet each other in Venice. Among the audience at the premi\u00e8re night of Alessandro Scarlatti\u2019s hit-opera Mitridate eupatore was a young, then-unknown but extremely ambitious German: Georg Friedrich H\u00e4ndel. The sumptuous composition must have had a big impact, because H\u00e4ndel continued the genre of opera seria in his new hometown Londen. 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